#i agree it’s not a lot but it’s more than Any trans characters

[kabutone]

OR maybe art can be interpreted multiple ways? the way it’s always been? this is an incredibly bad faith take. you assume people hc mizu as trans bc they’re a “strong female character” and you jump to label these people misogynists? or do you suppose those trans hcs may come from something like, idk, mizu living and presenting as male for many years? they can be read in multiple different ways. i even saw someone in the tags saying they could be relatable to trans women (and ive seen people in the reblogs of This post saying bes is FOR cis women and NOT for anyone else)

after the life mizu’s lived i wouldn’t be surprised if they’ve never gotten to know who they are beyond revenge. they even said they have “no interest in being happy, only satisfied” do you think they’ve ever given themselves the chance to introspect on who they are outside of revenge?? the writers can take it any way they want and it could still make sense. i’m not saying you can’t see it as a story of oppression against women, cause it very much is, but there is a Lot of room for further interpretation and you can’t just act like that doesn’t exist either

ultimately the writers stated it’s about not feeling like you belong anywhere.

“And what it is to not feel like you belong anywhere really is something that a lot of people resonate with.”

you could draw parallels between people not accepting mizu as white AND japanese; there is only room for them to be “japanese and i’ll pretend that’s all you are” or “demon” but they don’t get to be both. they’ve lived as both a man and a woman. they may end up preferring one over the other, but if not, isn’t there room for both?

if someone says a song means something to them are they suddenly wrong because it means something different to you? people in the reblogs keep saying “trans mascs it’s not all about you!!!!” well it’s not all about you either. a good story is one that can resonate with many people on many levels. the ACTUAL point of the story is living as someone who isn’t accepted as who they are, and that can resonate with everyone on some level. don’t be mad because you don’t think other people get to relate to something in a different way.

I don’t know how some of you could watch blu eyed samurai and still debate Mizu’s gender like hello ??? media literacy dead ??? Mizu is a woman, that’s the whole fucking point !!!! That’s her biggest crime !!!

Eiji couldn’t care less about her heritage but he literally cut her off when she tried to confess her gender !!!!

Mikio was fine with her being half white but the moment she dared to show him that -as a woman- she was a greater fighter it was over. His ego was irreparably hurt because a woman defeated him !!!!

And he calls her a monster !!!! He calls her a monster because she’s a woman and she’s strong she’s capable she can fight she isn’t submissive and that’s the point !!!!!!!!!!!!!

[dgoul]

"gender bent au" what if I hit you with a metal chair.

"gender bent mag" what if I take your internet away and make you think. for once

I see people headcanoning Tim as trans femme. I'm in the crowd cheering for them screeming at the top of my lungs. someone yells GENDER BEND AU? i approach from behind, crouched down.

EDIT I'm not sorry for going insane in the tags. enjoy the rant because I think it's important. 🏳️‍⚧️

[olderthannetfic]

Okay, I need advice: I'm in a very tiny fandom (like less than two dozen active people and everyone knows each other) and one of the women in it is kind of freaking me out.

We became mutuals because we had some good discussions on some of the characters we liked, but I soon became sort of uncomfortable with a lot of her online behavior whereas simultaneously she's DM-ing me more and more.

She's one of those people who's a hardliner on the issues she cares about (mostly feminism- and SA-related) while talking over people when it comes to issues she doesn't care about (mostly racism and related things). And I see a lot of her trying to intrusively police how other people talk/act, derailing people's posts, arguing with people online over the most stupid shit (where not even her own opinions come off as overly coherent - this week she'll argue something along the lines of "men are evil" and the next she'll argue that people are "demonizing masculinity" - I'll add for clarification that she's not a TERF and supports trans rights but boy... Does she sound like one sometimes) and then digging through people's profiles to find and publicize minor transgressions and bad takes, passive-aggressive vagueposting, and going into mental breakdowns over the most innocuous of online interactions.

TBH she scares me. As someone who suffered through toxic people getting overly attached to me, I genuinely sometimes get a physical reaction when I see her lashing out on the dash.

And she keeps initiating conversations! And sometimes I don't reply or bring the conversation to a natural closure and she keeps at it, or sends me random fics of hers to read that I don't have the heart to tell her don't interest me or whatever. And recently when she disagrees with something I reblogged she direct messages me to rant about it - with a lot of sort of indirect language because she doesn't want to offend me but I can see the intent. The last couple of times I replied politely because I cared about clearing misunderstandings on the topic but next time I'm just gonna tell her I dislike it when she does that.

I really want this person to stop interacting with me, to be honest, and all my polite hints to the effect go unnoticed. But the fandom is so small I feel awkward and uncomfortable about unfollowing or blocking her. I don't think she's too bad of a person, she just comes off as very... Mentally ill, I guess? And since I've tried to be polite so far I feel like it might come out of left field for her?

TBH I feel like something about her behavior also triggers some kind of freeze/fawn reaction inside of me that I don't often get and consequently don't know how to deal with.

So I need impartial advice because I don't see the situation clearly myself

--

To summarize, a person who is a walking red flag wants to be friends, and you can't easily ghost her because the fandom is small.

I think you have to accept that there is no low-conflict way out of this.

That's what's holding you back, right? You don't want more drama and you know it's coming. I think you already know in your heart of hearts that you need to get away from her even if it's a pain in the ass.

Step one is to stop responding to her DMs. That will probably make her reach out more, but you should keep not responding. If she escalates and attacks you over it, block her.

The more you offer reasons or try to gently hint, the more that will encourage her. I don't think that's true of everyone, but I do think it's the case here. This is both because it doesn't sound like she's good at perceiving or respecting boundaries and because she inspires a bad lack of ability to assert boundaries in you.

I agree that it's unfortunate that you can't stand up for yourself or tell her plainly when she's out of line, but since you can't and that probably won't change any time soon, you'll need to protect yourself a different way. Sometimes, we just have to avoid people who are bad for us even when it's an us problem. (And here, whoaaaa red flags, so I don't think it's just a you problem anyway.)

There are many sad, lonely, needy people in the world. Some of them are officially mentally ill in some way with a diagnosis. Some just need things they aren't currently getting. That sucks...

But it's also not your job to fix.

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[sexy-sapphic-sorcerer]

1: Magic is a Metaphor < 2: Morgana is a Lesbian < 3: Merlin is Gay < 4: Arthur is Bi

Do you remember when you were bullied in middle school? Because if you're reading this, I think it's fair to assume that you were. And your parents would say to you, 'that boy is just being mean to you because he likes you'. That's what this is.

Arthur is just so repressed. He has really bad daddy issues, and he doesn't know how to express his emotions, and he's really uncomfortable with physical intimacy, especially with other men, especially with Merlin. And this isn't me trying to psychoanalyse away his heterosexuality. It is a very evident part of his character.

And another big part of his character is that he has inherited all of these bigoted ideas about magic from his father that he has to work to overcome. Because, of course, Arthur himself is born of magic, but his dad is so ashamed of it that he hides the true circumstances of his birth from Arthur. Honestly, I don't know exactly how that would fit into this whole metaphor. I do have a half-formed theory that it could be interpreted as an allegory for intersex identity, I know that a lot of people headcanon Arthur as trans, so idk there could be something there. But regardless, it is only through his relationship with Merlin that he is able to overcome this magicphobia, because he realises: how could it be wrong when everything about Merlin is so right. And I just feel like there's a metaphor in there somewhere.

Of course, I have to mention this iconic quote from the audio commentary of the final episode: when the executive producer refers to Arthur taking off his royal seal to give back to Guinevere as passing over "the last vestige of his heterosexu- oh sorry, I mean his marriage." So, they knew exactly what they were doing.

I also thought I would just draw your attention to the fact that at one point Arthur says, "I only care about my men, they're more than friends, more than brothers." Now, I think we can all agree that out of context, that is a very gay thing to say, and yet somehow the context is even gayer, because Arthur is pretending to be talking about the Knights of the Round Table, but he's actually talking about Merlin, how Merlin is the only person he cares about, more than a friend. And then Merlin responds, "I understand. I wish I didn't, but I do." It's barely subtext at that point. This of course, brings me to my final argument:

Arthur risked his life to save Merlin at least eight times. It could be more than that, I genuinely lost count. And you have to keep in mind that Arthur is the King of Camelot and he doesn't have any heirs. It is quite important that he stays alive. And yet anytime that Merlin is in the slightest bit of danger, he will just drop everything to protect him.

And it's really only in those moments where he's faced with the thought of losing Merlin that he shows him genuine emotion. Such as in this scene (which was cut out of 4x02 purely because it was too gay) where Arthur is planning to sacrifice himself to protect Merlin, again, and he gives Merlin his mother's sigil, the only thing he has left of his dead mum and he wants Merlin to have it as something to remember him by. Also, apparently in medieval times giving someone your family crest was basically a marriage proposal, so that's pretty gay.

You know what else is pretty gay? Telepathically communicating with Merlin and then immediately leaving Gwen in the middle of an active war. This is literally the last time that Arthur and Gwen ever see each other. Poor Gwen.

In conclusion, Merlin is the story of gay sorcerers and bisexual knights getting into love triangles. Everyone in this show is queer and you cannot tell me otherwise.

[imagining-in-the-margins]

New Beginnings CM Challenge 🌱

The following are prompts involving a new relationship, fresh start, etc.!

This event is over (Masterlist of Fics here), but you are welcome to use any of these prompts. If you would like to be added to the existing Masterlist of entries, please check out the Rules below!

🌧 Prompts 🌱

Describe Character's first day at the BAU

Character celebrates a milestone of sobriety

Characters are getting the hang of being new parents

Character goes overboard with New Year’s Resolutions

Character decides to try something new in the bedroom

Character is entering the dating scene after their divorce

Character changes career paths with a very different job

Character introduces their new partner to their kid

Character comes out as trans and introduces themselves

Character finally agrees to get set up with a date after a long dry spell

Character learns to navigate their everyday life after a traumatic event

Character escapes an abusive relationship and the recovery is harder than they thought

Character swears that this year they will definitely fulfill all their New Year's resolutions

Character just came out as LGB and goes on their first date with someone of the same sex

Character decides to cut off a member(s) of their family, and the team reminds them that they still have a whole lot of (found) family left

Character lost a partner and swore they would never love like that again... but that hasn't stopped them from falling in love in a different way

Character got a pet for the first time and they realize how much easier it is to take care of themselves when someone else is counting on them

Character had previously come out as something, but then realized they were something else... coming out is even more daunting the second time

More prompts below + Make your own!

🌤 Dialogue Prompts🌻

"The time will pass anyway." (Earl Nightingale)

"If you jump, I jump with you."

"I can't wait to see who you become."

"I love every possible iteration of you."

"To be brave, you must first be afraid." (Bear Grylls)

"You aren't alone in this. None of us are." (Baldur's Gate 3)

"Is it too late to go back?" "Don't you dare."

"This is all new to me." "What?" "Being happy."

"I don't know what I'm doing." "No one does. That's life."

"There are always a million reasons not to do something." (The Office)

🌒Character Specific Prompts🌲

Spencer's life after prison is nothing like before

Spencer decides to pursue his dream of being a cowboy/rancher

Spencer becomes dedicated to turning his life around after relapsing

Spencer doesn't think about Maeve on a special occasion for the first time

Hotch finally stops wearing his old wedding ring

Hotch embraces his role as a single dad

JJ's children are almost grown, and she struggles to reconnect with who she was before she was their mother

Penelope realizes she doesn’t like the person she’s become after leaving the BAU, so she decides to change

Lauren Reynolds died—it’s time Emily start acting like it

Rossi struggles with suddenly becoming a (grand)father

🍂Rules🍃

The fic can be a Reader insert, an Original Character, a character/character ship, a platonic ship, or a Gen fic. It can feature any Criminal Minds character. AUs and crossovers are more than welcome.

Tag me in the fic, or send the link to me in a Direct Message. It can be already written, or you can write it for the challenge - I’m collecting both! You can also tag it “#mentioningmargins” which is a tag I track.

The fic can be any genre, but ONLY send me smut if your bio states you are 18+. I DO NOT WANT smut written by minors. Ever. At all. I will check. Platonic ships and pure, fluffy fics are 100% allowed.

Please include Content Warnings and a one-sentence Summary of the fic in your post.

Have fun!

The Masterlist of fics will be posted around March 1. If you finish after that, no problem - just send me the fic once you’re done and I’ll add it after-the-fact!

Feel free to message me if you want help developing a plot, have any questions, or just want to gush about your fic. I’m happy to help, and I’m happy you’re here ❤️

Happy Writing!

[themasterofo]

To My Readers

Please bear with me while I take a somewhat more serious tone today. I've been wanting to write something like this for a while now, and finally got to putting my thoughts down.

I have always kept an eye on you readers who like and reblog my stories, and it has not gone unnoticed that, in addition to girls who more-or-less match the submissive female character I write, many of my readers are lesbian, or trans, or even sub men. Some of you I've chatted with in the past, even to the point of giving permission to rewrite my stories, altering some preferred biology and/or gender details.

I dislike virtue signaling for its own sake. I find a lot of it distasteful and self-serving, but I also know that statements of support can mean a lot to people who may not be sure that they are welcome. So it's in that spirit that I did decide to write this.

Assuming you are an adult, and that you are not a predator, you are welcome here.

Whether Dom(me) or sub, whether male, female, or anything else, and whatever genitals or body you were born with or have managed to make for yourself, you are welcome here.

I write about denial from my particular perspective, which includes my own sexuality, orientation, and gender. In my mind, the man in my stories is me, and the girl is an afab girl. Because of this, you'll hear talk about his cock, her cunt, and things like this. But, if that doesn't match you, and you still want to read, and if you identify with any part of my writing, you have my absolute blessing to take whatever liberties you wish in your own mind. Not that you needed my permission, but maybe for some it might help.

To be clear, for my own part, I'm not really interested in interacting sexually with sub men, or with girls who don't match the physical type of person that I'm attracted to (girls with a cunt). I don't mean any offense here and I hope that none is taken. For me, life is too short to do anything other than follow what makes you feel authentically happy, and that's part of what does. But it costs me nothing to accept the gender or sexuality that someone identifies with themselves, and I consider it a matter of kindness and decency to do so.

But I am also happy to chat with anyone in about denial and so forth, as long as there is respect and if I have the time (the latter being a larger issue these days!)

So in summary, welcome. If you're a sub, I hope you find inspiration here, and I hope you can learn to edge more and cum less, if you agree with me that this is what's probably best for you. If you're a Dom(me), I hope you enjoy the stories and maybe get some inspiration and ideas to take responsibly to the sub(s) in your life. I tell sub girls they don't have my permission to cum when reading my blog, but if that doesn't resonate with you - you do you. And if you want to imagine that my Dom character is a woman, or that the sub character has a cock, or whatever else will make bring you some happiness, just do it.

[lostyesterday]

There is a certain type of Star Trek character that is extremely and vocally hated by at least some large segments of the fandom. These aren’t just characters that many people dislike – these are characters who are actively hated by a significant number of people, usually ostensibly because they are “annoying” in some way. This isn’t a phenomenon unique to the Star Trek fandom by any means, but I’m interested in examining this phenomenon in relation to Star Trek in particular – including which characters it applies to and the potential reasons why it might exist.

First, I wanted to make a list of Star Trek characters that I believe definitely count as overly hated from the Trek shows whose fandoms I’m most familiar with:

Wesley (TNG)

Pulaski (TNG)

Keiko (DS9/TNG)

Ezri (DS9)

Winn (DS9)

Neelix (Voyager)

Michael (Discovery)

Adira (Discovery)

Then there are the characters who I’ve seen a lot of hate toward, but I’m not sure if it’s from a large enough segment of the fandom or is vitriolic enough to count completely:

Chapel (TOS)

Lwaxana (TNG/DS9)

Julian (DS9)

Kes (Voyager)

Naomi (Voyager)

Gray (Discovery)

La’an (SNW)

Obviously, I think it’s perfectly fine and reasonable to dislike any of the above characters. What I’m talking about here is when people act like there is something fundamentally terrible or irredeemably annoying about these characters in comparison to other similar characters, with a base assumption that most everyone in the world is going to agree that these characters just suck.

So what makes these particular characters such common targets of hate? The most obvious pattern I see in these lists is that female characters are vastly overrepresented, which is hardly surprising. Fandoms disproportionately finding female characters “annoying” and “badly written” is hardly a new thing. Also, in addition to just plain sexism, there’s certainly a racial element to the ways people hate Michael and Keiko, and a lot of people who talk about how much they hate Adira will just straight up admit it’s because they hate trans people. On the other hand, I’ve seen more hate toward Wesley than most of the other characters on these lists, and he’s a white boy. Could there be elements of the hate toward characters like Wesley and Neelix that are also gendered – as in, these characters somehow don’t measure up to cultural standards of masculinity in a way many people find irritating?

Obviously, bigotry plays a large role in why a lot of these characters are hated, but it probably isn’t the whole story either. Fundamentally, the thing that confuses me here is that I don’t personally find any of the characters on the above lists to be more “annoying” than average. I slightly dislike a few of them, but I don’t hate any of them, and I don’t understand what it is about them in particular that makes them prime targets for such vitriolic and widespread hatred.

I’d love to hear other people’s thoughts on this. In particular, what do you think about the above lists of characters that I think definitely count and might count as overly hated in the Star Trek fandom? Are there any characters you’d add to or remove from either list? And do you notice any patterns in the types of characters that end up being overly hated?

[batmanisagatewaydrug]

reading update: july 2024

full disclosure: I started out July in a bit of a mental lurch, really feeling stuck in a rut. there are a lot of reasons for that, absolutely none of which need to be shared with the general populace of tumblr dot com, but suffice to say that I was feeling listless and reading was not a high priority. I was pretty content to accept that this was going to be another month where I didn't finish a lot of books. I was too busy for most of June, and now too unfocused and bummed out in July.

and then that ended up not being the case. I think I can chalk that up to three things:

very early in the month I realized that none of the reading I had been planning on getting to was grabbing my interest at all, so I did something drastically different: picked up a YA memoir that I bought at pride on the recommendation of a bookseller. not my usual kind of reading at all, but YA is very readable and memoirs grab me fast because I'm nosy, so I figured it might be great for getting out of a rut. and boy, was I right!

Akwaeke Emezi also has a new novel out, and if you don't know then please note now that I'm a person second and an Akwaeke Emezi fan first. their newest novel was a sinister joyride, non-stop twists and turns that I couldn't put down until I saw the characters through to their bitter ends.

and, of course, over in the Dungeon Meshi manga I got to Mithrun. I've only had Mithrun for a couple of chapters, but if anything happened to him I'd kill everyone in this dungeon and then myself. even if I hadn't been able to read anything else, that would have kept me running back to the library for more Dungeon Meshi.

all of which added up to a fairly voracious appetite for books being reignited in my brain, and my second most book-heavy month of the year so far (still haven't beat May, but there's time). sick!

so - what have I been reading?

Delicious in Dungeon Vol. 7-10 (Ryoko Kui, trans. Taylor Engel, 2019-2022) - mannnnn I know I'm not saying anything that hasn't been said elsewhere, but Dungeon Meshi is so. fucking good. the way that Kui starts to raise the stakes of the story and grow the world beyond the core band of adventurers is so conscientious and well-done, timed perfectly so it never feels like having an undercooked heap of fantasy exposition thrown at you all at once. instead everything proceeds at a perfect simmer, leaving me feeling like the frog in that pot of boiling water who didn't notice how dire things had gotten until it was very suddenly too late and I was screaming bloody murder at a book. things have gotten so dire that I'm yearning for the days when fighting a red dragon was our biggest problem - and yet, through it all, every character remains rendered with humanity and compassion, no matter how scary, dangerous, or outright alien they first appear. I'm not naming any spoilers, but I need [REDACTED] to fix shit ASAP in Vol. 11 and [SUPER REDACTED] is on my shitlist fucking forever. also Mithrun sweetie you're perfect, do as many crimes as you want.

Heart and Hand (Rebel Carter, 2019) - my romance novel of the month, as picked by my lovely patreonites! this self-published historical romance promised some messy f/m/m, following a biracial (half Black, half white) young lady, Julie Baptiste, as she responds to a marriage ad that takes her out west to the fictional town of Gold Sky, Montana. Julie's sort of a standard historical heroine - she doesn't care for the silliness of high society and vastly prefers the company of books, looking forward to becoming Gold Sky's schoolteacher - but her marriage has a twist: rather than marrying one man, she's agreed to marry two, a pair of friends who have been inseparable since they served together in the Civil War. this book is charming, for sure, but I can't help be more intrigued by what isn't there than what is, namely: are these men having sex with each other or not? Rebel? hey, Rebel? why is there no DP in this two husbands mail order bride book? that was, like, he bare minimum that I expected. for the love of god, why did those men never put both of their dicks inside Julie at the same time? why did we spend so much time on emotional conflict that could be easily resolved if anyone just talked to each other when Julie's two beautiful husbands could have been having sex in front of her? HELLO?

also, listen, this is such a nitpick, but I am FROM Montana and it feels personal: I know that the general poverty of frontier life isn't sexy, but god these people are WAY too well off. at one point Julie enjoys some fucking BANANAS, something that I goddamn assure you were not easy to come by in late 19th century Montana. a banana. as fucking if.

All Boys Aren't Blue (George M. Johnson, 2020) - as is proudly advertised on the back cover of my copy, in recent years All Boys Aren't Blue has been the second most-challenged book in America behind Maia Kobabe's Gender Queer. reading through All Boys Aren't Blue it was initially hard to see what exactly was so objectionable, until I realized that a queer Black person living their life with compassion and joy is the scariest thing some of these motherfuckers can possibly imagine. Johnson writes about their life growing up in the nexus of racism, homophobia, and masculinity with wisdom and endless compassion, directly addressing young people who may find themselves in similar positions to offer them assurance that they, too, can be okay. more than anything, All Boys Aren't Blue is a plea for young people to live their lives without fear and shame. it's a beautiful blessing of a book that I hope brings comfort to every innumerable kids who need it.

Little Rot (Akwaeke Emezi, 2024) - how do I even begin to describe Little Rot? definitely not for those who feel squeamish about sex crimes, I guess that's an important place to start. this novel starts with the breakup of a long-term Nigerian couple, Kalu and Aima, and follows both of them into a weekend that starts with drugs and sex parties and spirals increasingly out of control from there, drawing more and more characters into a complicated snarl of money and power. Little Rot has the seedy, lurid draw of an episode of SVU if SVU ever grew up and realized that cops don't do shit, reveling in the nastiest that Emezi's imagined city of New Lagos has to offer. cannot say this book is for everyone - few of Emezi's novels are - but god, it's a thrilling study in corruption.

The Persistent Desire: A Femme-Butch Reader (editor Joan Nestle, 1992) - this is a massive and fascinating historical document, assembled by Nestle as part of her work with the Lesbian Herstory Archives. within this collection are letters, interviews, academic essays, poems, and transcribed oral histories from all manner of self-identified butch and femme lesbians. while some of the contributors are recognizable names in the history of American queer activism (including Pat Califa, who's a bisexual trans man now lmao), others are women who were just trying to live their lives with as much authenticity, comfort, and dignity as was possible in their time. (although, notably, the vast majority of these women are white, and all but a very few are Americans. racial and cultural diversity is not one of the collection's strong suits.)

the personal narratives span all over the twentieth century, and I was really delighted to see the very frank discussions of what would be written off as "bad representation" by a lot of queer resources today: butches overdosing on toxic masculinity and getting in messy bar brawls, femmes committing outlandish acts of adultery, lesbian sexual awakenings taking place between fairly young children, and one extremely memorable instance of a butch getting unexpectedly pregnant and decided to do a little sex work on the side since she couldn't get more pregnant than she already was. I was particularly fascinated by the many, many accounts of "second wave" self-identified lesbian feminists who tried to do away with butch/femme identities and "politically incorrect" expression of lesbian sexuality altogether (that's everything but mutual cunnilingus, btw) in pretty eerie echoes of contemporary radfem arguments. at close to 500 pages it's definitely better suited to skimming and stopping to read whatever catches your attention rather than trying to read cover to cover, but I think this is a really invaluable piece of history.

American Mermaid (Julia Langbien, 2023) - this was a novel, for sure. American Mermaid is a novel about a broke, anxious high school teacher named Penelope whose novel, also called American Mermaid, is a runaway success that gets optioned for film. Penelope quits her teaching job and moves across the country to Hollywood to work on the script with two dude bros who don't really Get what American Mermaid is about, and set to work turning Penelope's weird, unsexy female empowerment novel into an MCU-style action romp with a hot young lead. the novel's strongest when it's deep in the spirals of Penelope's frantic mind, probing the conflict between her fairly desperate need for cash (she wants to be financially independent of her conservative father, she has good reason to suspect breast cancer is in her future, she wants to start a family someday) and the artistic affront she feels at watching her story be disrespected and dismantled. where it's weaker is in the extensive chapters of the story-within-a-story; while useful for context, I straight up didn't need to read that much of Penelope's novel. and the plot overall kind of felt like it fell off the rails near the end once Langbien finishes making her point about how Hollywood sucks. it's not bad, but it's also just... fine. it's fine!

How to Taste: A Guide Discovering Flavor and Savoring Life (Mandy Naglich, 2023) - how do I put this so nicely? this book is for people who are kind of dork ass losers about food, a group that I do very much count myself as a part of. I first became acquainted with Naglich's work when she appeared on a podcast called the Sporkful, which claims that it is "not for foodies, it's for eaters." I'm a fairly devout listener, and after listening to Naglich describe her efforts to become a master cicerone (one of the world's most elite beer tasters, a distinction that is taken Very Fucking Seriously) I thought sure, whatever, that's a book I can get behind. Naglich is maybe a big more entertaining as a podcast guest than a nonfiction author. in places the book can be dry or roughly constructed in a way that suggests another pass by an editor or maybe a co-writer would have helped. and straight up, there are just weird fucking typos in this book that are like. crazy to me, I cannot believe they got through. the cheap-ass cover art also suggests this was not exactly a high budget production.

but having been very mean about it, there are a lot of extremely interesting tidbits about the world of professional tasting here! it sounds awful and you couldn't pay me to do it, but here's the cool thing: Naglich is extremely aware that what she does is insane and she knows that the average reader doesn't want to learn how to identify where a coffee bean was grown just by sniffing the bean from across a room. what she offers instead are really approachable ways to be more conscientious about how you interact with and appreciate food! and she also shares some really cool info about tasting snobbery that IS bullshit, to help you sort out the stuff that actually matters and emphasize that fun and personal taste ultimately trump any "rules." it's a very dorky book but I, personally, did have a good time.

Sex Criminals Vol 3: Three the Hard Way (Matt Fraction and Chip Zdarsky, 2016) - every time I read another volume of Sex Criminals I find myself thinking "man, hang on, do I ever actually like Sex Criminals? am I enjoying this?" but then I end up placing a hold on the next one. I don't know, it's charming! it's like so very VERY 2010s in its dialogue, by which I mean it's like. you know. it's giving Joss Whedon before we all found out how bad he sucked and collectively booed him. but man, I love a story that's down to get weird, and Sex Criminals is sooooo about being weird. and yet also very normal where sex is concerned! considering this is a series all about people having freaky world-altering powers that activate when they cum, sex is treated as an incredibly ordinary thing, warts and all. I like that! I like seeing that! idk, I don't need every comic to be perfect, as evidenced by the fact that I'm actively enjoying Azrael: Angel of the Bat. sometimes the vibes are just good.

[natsmagi]

The hyperfeminization of Arashi by the fandom has been such an issue for the longest time: from forcing her to wear pinks, skirts, dresses *ALL* of the time, to constantly making redesigns of her outfits to fit what they deem to be more feminine. It isn’t a problem to wear any of these, and trans women do wear a lot of these, but the problem is that it not only is not true to her character, but the people who do these things only conduct such because it’s what THEY think is more feminine (because it is what was considered traditionally feminine). When in reality, Arashi herself is already feminine. Everyone knows the writers struggle to respectfully portray her character at times, but her principles have ALWAYS remained the same, and clear. She doesn’t enjoy her gender identity being paraded on, she is comfortable in the clothes she wears. It’s especially frustrating when people redisgn her to always wear dresses, have longer hair, and other things they think makes her more feminine when Arashi chose to dress the way that she does. She likes pants, she likes short hair, the whole point of her character is loving the way that she is- why would she change it so drastically the way that the fandom does? They act as if she is a damsel in distress, when Arashi is one of the most strongest and confident characters. She’s in touch with her emotions most times, and wouldn’t willingly choose things that would make her dysphoric. It’s especially upsetting when the fandom does these things because it begins to hurt real transfem people, and in turn hurts the rest of the community because of how high these expectations go. They expect Arashi to be 100% feminine all the time, degrade her when she shows a bit of masculinity, which then becomes real life transphobia in expecting trans women in real life to hold these standards. This then hurts other trans people in expecting transmasc to be 100% masculine all the time, or non-binary/agender/etc. people to be 100% androgynous all the time. We must accept that Arashi is trans. People think they do already but don’t ACTUALLY accept that she is. They use the pronouns and correct such, but they don’t correct the internalized transphobia they have because they don’t think they have any. Arashi has stated that she does enjoy exploring masculinity at times and feels comfortable to do so, and so we must accept that she will be exploring masculinity when she feels like it: just as any other transfem person would. The people who constantly parade her identity make me think that they don’t surround themselves with other trans people, because they would know that many trans people explore their expression in different ways. Why is it okay for trans masc to wear makeup, dresses and skirts while not having their integrity questioned yet transfem cannot wear pants, have off days or just explore masculine expression when they are already comfortable with their identity?

All in all, it’s disgusting to constantly police Arashi’s gender identity just because it was uncomfortable for the viewer that cannot accept that transfem are allowed to explore their gender identity

!!!!!! YES EXACTLY!!!!!!!!!!!!!! YOU EXPLAINED IT BETTER THAN I EVER COULDVE!!!!!!!!!!! i agree with u 100%

i dont have much more to add but i will say i feel like people often forget that queer identities are REAAAAAAALLY NUANCED AND COMPLEX. like. you dont need to look a certain way in order to Be something. theres plenty of cis women who prefer wearing pants or having short hair or whatever, so why cant trans women??? why do we always need to fit so perfectly into these little boxes society places onto us in order to be viewed as valid and respected?

being queer is about defying norms, not creating new ones. You can act like youre a trans ally all you want but if you refuse to accept or acknowledge the nuances that comes with being trans and the unique and individual relationships we all have with our assigned gender and masculinity/femininity as a whole, no matter how often you use the correct pronouns, if you keep needing us to be and look a certain way in order for you to acknowledge us as actually Being our gender for YOUR comfort, youre transphobic.

its frustrating how feminism used to be a push for allowing women to dress and act however they want (aswell as having rights ofc) But now for some reason we're right back at square one where women need to be soft and delicate and petite and wear pink dresses or else youre not a real woman or youre seen as lesser. That is not queer allyship, nor is it empowering women

[funhouse-mirror-barbie]

My problem with Sallie May—a discussion of representation:

There’s been some discourse around Sallie May lately that’s gotten me thinking more about her. Not really as a character, but what her purpose is in the narrative and how she’s treated by the fandom and the show’s creators.

Sallie May is an interesting case study in representation without depth, and I wanted to talk a little more about what that means.

OPINION DISCLAIMER—I’m gonna be talking about how I personally view lgbtq+ and queer representation and what I consider to be well-rounded representation vs. empty or shallow representation.

Also. I am only one member of the queer community—I don’t speak for all lgbtq+ people, and I am DEFINITELY NOT trying to talk over other’s experiences. My opinions are my own, and if you agree with me, cool! And if you don’t agree with me, that’s great too!!

Also also. I don’t think I should have to say this but, this is NOT a personal attack on ANYONE involved w/i the production and creation of Helluva Boss. This is my own analysis, b/c I like to talk about media and the ways we interact with and interpret it.

So, with all of that out of the way, if you’re interested in my analysis, let’s talk about Sallie May!! (TLDR @ end of post)

First do want to make it clear that my issue is not actually with her like…existing. Or with her general characterization. Mostly because, even with Hell’s Belles, she still doesn’t really have a very strong characterization to begin with, and isn’t a fully-fleshed out character.

In her initial appearance she was a bit-character, bordering on just being a straight up background character. She had three lines in her debut (and to date, ONLY) appearance in the show proper.

Until Hell’s Belles we knew next to nothing about her other than that she likes violence and also that she has a neighborhood body count? Which. I don’t know if they were trying to imply that she’s a serial killer, I doubt that was the intent. Or maybe they were. I can’t know.

Regardless, I honestly believe they didn’t really think the implications of that writing decision through at all. There’s a very real and very harmful “trans serial killer/murderer” trope in media, and while the impact is definitely lessened by the vast majority of HB characters being violent murderers—it still feels weird having the only trans character we’ve seen at this point be literally INTRODUCED to the audience by the fact that she’s a murderer, and to then be given NO further information on her.

Luckily, we DID get more information about Sallie, even if it was still very little and surface level. In Hell’s Belles we learn that Sallie May and Millie used to be a lot closer, and that Sallie May felt left behind when Millie moved to the big city.

In the short, Sallie May expresses her frustration with having to pick up the slack around their family’s ranch, and that she’s been lonely without Millie there. Millie and Sally have a little heart to heart and are able to make up, and the short ends.

This is a nice little piece of backstory, and does give us slightly more insight into Sallie May and what her life is like, but because the episode is a short, we still really don’t get to know her as a person.

Like Millie, Sallie May doesn’t have any real depth. We only know starter information about her, like that she cares about her family, and that she’s violent.

But unlike Millie, Sallie May is a minor character. She has (at the time of my writing this) appeared in ONE episode of the actual show, and one short. She is a minor character, and the ONLY transgender character in the show with a name and lines.

So. Okay. Why does literally any of that matter??? Who cares if Sallie May is an under-developed minor background character??

Well, in my opinion, it matters because the show-runners frame and treat Sallie May as if she is a main character, without actually writing her—or any trans character for that matter—as a main character.

This really rubs me the wrong way, because it comes across as tokenism.

In my opinion since she was introduced, Sallie May has become a token transgender character—an excuse for the HB writers to not write or develop more transgender, nonbinary, and gender diverse characters and stories, because they already have one.

I worry that, if anyone rightfully points out that HB is severely lacking in gender-diverse characters and storylines, the creators and fandom will point to Sallie May as “proof” that they do have representation.

If HB is as radically queer and LGBTQ+ friendly as it claims to be, why do we only have ONE named trans character in the show’s 5 years of existence?

Due to all of the above, I find I can’t agree with people who praise the show for its representation, because of how stunted it is. I just don’t think I, or anyone, should have to read sources outside of the narrative to learn important parts of a character’s identity.

I feel this very deeply as a lesbian and nonbinary person—I understand that most of the women characters in Helluva Boss are sapphic, but I ONLY know that because of the HB Pride Print that came out just this year. I have not actually gotten to SEE any of these character’s sexualities fully represented, and it’s because of this that I struggle to see myself represented in HB in any way.

I do need to clarify that what I am NOT SAYING is that no one can feel represented by Sallie May, or that if they do, they’ve been tricked somehow by writers into thinking they got more representation than they actually did.

Sallie May is a very popular character, and because of that I honestly would like to see more of her. I want to see more of her because she’s the only trans character on the show, and I want her to be properly developed.

I talked previously about how I enjoyed Hell’s Belles, but wished we had gotten to see more of Sallie and Millie’s relationship in the actual show. Their relationship has a lot of potential to show the unique ways in which siblings interact and navigate conflict, but we only got to see a few seconds of them interacting in Sallie’s debut. The short gives us an idea of what Sallie’s personality is like, but it’s so brief that I still don’t feel like we really KNOW her on a deeper level.

To me, three lines + one short with a brief backstory doesn’t feel like the sort of amazing representation that fans of the show laud Helluva Boss for.

As a series that often boasts about its queer and trans rep and inclusivity, I can’t help but feel like Sallie May should either have been a main character from the very beginning, or that she shouldn’t have been trotted out like some sort of bastion of trans representation, when the only indication she is trans is her horns/white roots.

And yes. As a genderqueer gay I KNOW that it can be extremely tiring to have all of our stories revolve around our struggles and ONLY be about being LGBTQ+. I also want to see a variety of stories about queer people like me going on adventures and getting to do things that don’t revolve around our struggles. But I also want to still actually see myself represented.

Not just know outside the story that, “oh that character is nonbinary, but it will not be mentioned in the narrative in any way and will not ever be important in the context of this character I’m supposed to see myself in.”

Madeline Maye talked about this specifically in her critique of Helluva Boss, and her pointing this out was kind of what made me realize that, yeah. Anyone watching Helluva Boss for the first time would probably have NO IDEA that Sallie Mae is a transgender woman.

It also made me realize that the only reason I knew that Sallie May was trans was because her VA, Morgana Ignis, who is also a trans woman, tweeted about it, and the official Helluva Boss Twitter retweeted it.

The original tweet is hidden now (Ignis has since left Twitter—idk why, I genuinely hope it wasn’t due to harassment—that’s never okay) but I was able to confirm that this was the case based on the HB wiki, and the official HB’s retweet still being up:

The only confirmation we’ve ever had that Sallie May is transgender has been outside of the show—either from social media Q&As and the show’s wiki or merch—

Sallie May has a LOT of merch. Like a lot, this isn’t even all of it. And yes, SOME of the merch is from the recently released “Hell’s Belles” short, but the vast majority of it is from the 3 years since her initial introduction.

The vast majority of it is also highly sexualized, and highlights Sallie’s penis through her swimsuit. Now, I’m aware that Morgana Ignis requested this, and I honestly don’t have too much of an opinion on it. I’m not a trans woman, and I’ve seen multiple opinions from trans women on this design choice for Sally’s merch. I’ve seen some trans women say that they liked and felt represented by this choice, and some say that they felt objectified and that it made them dysphoric. This is one of those situations where I don’t think everyone can be pleased—like I said at the beginning of this post, LGBTQ+ people are as diverse in their opinions as we are in our identities and self-expression, and I think everyone’s feelings regarding Sallie’s portrayals in the merch are valid.

I bring it up because, other than the wiki explaining that Sallie May has “male horns”, this is the only other way to confirm that Sally is trans, as it is never acknowledged in the story. I bring it up because I don’t think merch should be the only way an LGBTQ character’s identity is validated.

I assume that all of Sallie Mae’s merch is because of her popularity, but I also can’t help but wonder if this has contributed to the impression that Sallie is a main character, when, in the narrative so far, she is still a minor one.

I don’t believe that when she was originally created to be a “token trans” character, but since her introduction, there have not been any main characters that are transgender, nonbinary, or genderqueer.

We’ve only had one other trans character with a speaking role—this imp:

Who is FTM. He seems to know Blitz from a while back, and talks Blitz into staying at the party. Then he watches him drunkenly make out with random people with another (I assume) trans imp who is probably MTF:

(Also—as an aside, this scene kinda bothers me?? I don’t THINK this was the intention at all, but having a VERY CLEARLY drunk off of his ass Blitz, who can’t meaningfully consent at this time, being watched, and almost like…leered at by two of the only visibly trans characters in the show…it feels gross. Like why are two of the only other confirmed trans characters voyeuristically watching a drunk man who can’t consent making out? It would be one thing if we had a story full of different trans characters who acted in all sorts of different ways, but at this time these two are 2/3rds of the show’s ENTIRE trans rep. With the other 1/3rd being introduced to us as a serial killer. Like. Guys. What is it that you’re trying to say?)

Apparently Sallie May’s VA has stated the below on Social Media, and stated that there’s a lot more coming for Sallie May in the future. And that’s great!!! I really really want to believe that.

But I look at the above and can’t help but wonder…if this is the case, why did it take three years for her to get another appearance? In just a short? Why wasn’t she given more focus and importance from the very beginning, in her introductory episode? If her original appearance wasn’t representative of her and Millie’s relationship then why did they even write it that way???

I want to believe all of the above—that Sallie May actually WILL get to become a main character. But I look at the way she’s been barely portrayed, and the way that she’s basically been used to just sell merch, and it makes me sad.

I would love to see more of her, more of any trans characters that aren’t 2 second background characters, but I honestly have a hard time believing we ever will when the episodes take as long as the do to come out, and the when the episodes focus so heavily on shipping pre-existing pairings.

As a lesbian, I would love to see Sallie May get a girlfriend, but given Spindlehorse’s track record with lackluster sapphic pairings and representation, I don’t have much hope of seeing that either.

I just. If you managed to get all the way through this heinously long post, thank you for reading. If you didn’t, that’s very fair (lol) and I’ve got the tldr for you here—

TLDR:

—My issue with Sallie May is not actually with Sallie May at all. It’s with the fact that we don’t get enough of Sallie May, or any trans characters, for that matter.

—You can, of course, feel represented by any character, but I think it’s important to ask yourself how you are being represented, and if you are actually being represented.

—Not every queer/trans/lgbt story has to explicitly be about being queer. The stories in which we are represented should be as diverse and vibrant as all the members of our community. But, I still want to actually be able to tell and to see that the characters are lgbtq+. If a character is a lesbian or sapphic, I want to see her show an interest in other women. If a character is transgender I want to see that acknowledged by the narrative, whether it’s the character mentioning their transition or just saying they’re trans. I want to SEE myself and other queer identities. Not just know that they’re there.

[beebopboom]

Greasy Johnson: a Red Herring?

This is a season 3 speculation post - you know not what to do with them

ok so i’ve fallen down a Greasy Johnson is Jesus rabbit hole and I love it - seems pretty plausible (here are some of of the pieces that sent me down here - Jesus 2.0 rides a Motorcycle Scooter , Greasy Johnson is Jesus, and Greasy Johnson in the book)

To summarize Greasy Johnson is the third baby in the swap who grows up near Adam and has kind of a “rival gang” who in the book is used as the reason why Adam finds a fight between two rivals ridiculous

plus you have the working title for the talked about sequel 668: The Neighbor of the Beast which more than likely is Greasy Johnson house and his thing with tropical fish - just a lot of things pointing to him being Jesus

But!! I want to talk about something a little different (and I can recognize this is probably just my want for Warlock to come back as someone important) because it was a choice not have him mentioned after the swap in the show.

What if Warlock is Jesus? Now just hear me out

If i’m following the swap right Warlock is our baby draped in blue and is the Young’s actual son

Now going back a bit I believe Heaven has been testing out aspects of what is said to happen in the Second Coming for a while now maybe as far back as 1827 but probably got close to right around 1941 and was just waiting for Hell to have the Antichrist and trigger Armageddon

and yknow for being an order of satanic nuns they sure do have a lot of Jesus on the Cross hanging around. why? - it’s almost like the were also meant to deliver him as well

So when Hell pulled their final card - so did Heaven

Now who was not meant to be there that night and messed everything up - the Young’s and their baby, Warlock - it’s almost like it was a divine intervention. And like I said earlier Warlock is our baby draped in blue (like Jesus) and our Ace card (ace up their sleeve anyone?)

Greasy Johnson was apart of Hells plan and set up - Warlock was not

also he has traveled the world because of the Dowling’s work before being tempted by Hastur which he denies

and the whales and dinosaurs we see in his room - you got your mothers humor don’t you?

and he is the only one who has to make a return to the UK - the plane in the opening sequence

what about Greasy Johnson and the neighbor of the beast though? that seems to be a pretty great fit and I agree - he is going to be the reason the swap is discovered and they all get together again - whatever that reason may be (*cough*dying*cough*)

and not mentioning him further in season one allows for him to come in as a completely new character and story that we get to follow around with points in his life pointing towards him being Jesus - as a distraction for the characters and for us

but where does Aziraphale come into this and why does the Metatron need an angel of his talents? - Heaven has also lost its card(baby), the trick worked a little too well and there are still two children to choose between, if they could find them - and Aziraphale, who has shown is apt at finding and identifying the Antichrist and knows Earth better than any angel, is just the being for the job

I recognize this is a lot of speculation and this is just kinda just a crack theory but it wouldn’t leave me alone so I’d thought I’d share

and mostly I think it’d be funny that in thinking they were raising the Antichrist they were actually raising Jesus Christ

(but also it would fit a lot of the headcannons floating around. Jesus being a right terror? check. Them raising Jesus? already did that. Trans!Jesus? remember all those trans!warlock headcannons. Jesus having a mentor relationship with Crowley? the demon raised Warlock. Going out for a drink? Warlock would an adult now by the time season 3 comes out and they keep following that the events in the show are happening at the present time it comes out trend - just on and on)

[doberbutts]

on the subject of veilguard i'm also seeing a lot of people discounting the trans options in the game as "not enough" and while i do agree there can always be more to represent trans people, i am begging people to point me to other games that allows me to not only make a trans character, choose pronouns and body and voice regardless of any of those other options, have my character identify themselves as trans (INCLUDING nonbinary as an option), AND allow themselves to talk about being trans not just throughout dialogue, but to connect with another character who is confronting the possibility of also being trans! like damn i'm just happy to play a trans character and it not have to be headcanon or something that begins and ends at the character creator (looking at you BG3 among others)

i'm so so so tired of this "all or nothing" attitude people have adopted about everything. we literally have to start somewhere, and this is starting somewhere far more progressive than most in the industry especially the AAA industry, being done in part by trans members of the dev team. people are truly so unserious

A minor quibble but I heard thru the grapevine that the nb character was designed by a cis woman dev team member, at which point listen I'm not saying it's perfect but I'd rather an imperfect ally who at least tries to get stuff right and be inclusive than just straight up not doing it, which is the option most dev teams take.

[lord-shobby]

The new Jojolands chapter was HEAVY. A lot of people are (rightfully) bringing up the SA, but what caught my attention moreso was the transphobic aspect. Dragona is clearly depicted as transitioned but not passing, and the way the rich girl demeaned them really hit close to home. Dragona was also referred to with a derogatory nickname, which, while not intended, did feel like a dead name when I read it. Note that I am NOT calling Araki transphobic for depicting transphobia - it's important to distinguish what the author personally believes and what issues they want to express.

While extremely dark, it does not go unpunished, thanks to tiny baby Jodio burning the assaulter horribly in a bus fire! What other people brought up that I agree with is that Dragona really needs to stand up for themself more. In a similar scene in the first chapter and in this one, Jodio was the one to swoop in and save them. Dragona's independence and personal perspective is the next logical step to take their character, which does have me more hopeful for a future chapter to go more into detail about it (WITHOUT ANY SA PLEASE ARAKI). Maybe it could be a chapter where Dragona talks to Usagi about it, who knows.

All that being said, I don't hate this chapter, far from it. I appreciate Araki seemingly taking this very seriously, although I do want him to change direction to focus on Dragona's personal thoughts on being trans, rather than the way the world perceives them. Also, it was cool seeing Dragona and Jodio's dad for the first time, albeit briefly

[moofuuu]

The Triple S

The Triple Threat~☆

And some headcanons below about these guys!! And I mean all six of them!!

V So a big post if you press past this point!! V

Here's some headcanons and other info I have for my own characters and designs in general to the triple S!! I am very passionate how I represent these guys, and I would like to note that now, before you guys read any further, I AM MYSELF A TRANS MAN!!! I DON'T SPEAK ON MOST PEOPLES BEHALF, BUT I WOULD LIKE TO SAY THAT SOME THINGS MIGHT BE OFFENSIVE TO SOME OF YOU IDFK

Now without further adoo, let's get on with the headcanons and information about the hedgehog's!!!

Sonic Headcanons

He/Him! Bisexual!

24-25 yr old

People say his boobs are growing, and yes I fully agree with that, and yes I do prefer him as a Trans man... but I love the idea of a strong muscle man with Trans scars is so goddamn UGH ♡♡♡

Sonic is getting built, growing some more muscles, and getting stronger with each series and or game!! It's the reason he's getting so big!!

He's also had both surgeries!

Top and bottom scars and also he's way more like the cocky type if you think Archie comics a bit, but of course he cares for his friends!! A whole lot actually and plays around with them too.

Amy gave him those knee and elbow pads to prevent a whole lot more scraping

even though it doesn't help much It still looks nice and it fits him, and the amount of times he slides against the grass and grounds a lot, of course he's gonna rely more on the knee pads a lot.

He wears hiking boots/shoes because they last way more longer than regular running shoes! It's something he prefers and well, the kicks have a lot more "oomf" to them when he does kick with those boots of his.

It takes a lot to take him down!! He's not your average soft man or gentle guy, he's more of your tough brother and he does get emotional!! But it's not usually the way you'd typically think, for he just gets a bit more colder to the shoulder when it's a serious situation with a more cutting edge.

Sonic's a goofball, just like it shows in the Sonic boom series, he loves just fucking around and doing silly things on the side really.

He's still learning a lot and still has that young college boy mentality to be honest.

Also well versed in close combat because of his best friend and rival Knuckles! He learned some moves from him when they met and all!

He has hyperactive ADHD!!

Sonic is a close combat character!! He prefers to fight his enemies as close as he can as he can hit powerful kicks and can throw powerful punches.

Has PTSD

His relationship with Shadow is mostly rivalry, and the two butting heads all the time!!! But never actually hanging out casually as Shadow refuses to hang out with him, and Sonic is fine with that; besides, he gets on his nerves intentionally... Never unintentionally, and the two of them know when to take matters seriously. He also thinks Shadow has a thing for someone, but he ain't no gossip-er... though Rouge brings that out of him, and he hates it.

His relationship with Silver is casual rivalry, but he can't even trash talk with him!!! He takes things to literally and doesn't even understand half the words he's saying!!! It's like he's an old man!! But Silver isn't even the oldest of the three!! In fact, the youngest and yet Sonic can never find himself having fun trash talking to the guy, but he is fun to hug though and a great listener...

Shadow Headcanons!

Any pronouns

• [Usually default to he/him though]

Demiromantic

30-50 yrs old

He doesn't really know nor really cares to know. Also, the oldest out of the triple S but not the tallest despite his alien genes.

He's in the middle... though mostly fighting close as he uses guns when necessary. Shadow is a close combat and ranged combat mobian, his muscles mostly in his arms as you need to keep your guns steady and able to handle the recoil in guns in general.

He has a bunch of old accessories! Like old patches from old bands, stickers and magnets but he hides those in small containers because he doesn't want to stick the stickers on anything.

It also usually works in the night!! He can't really work during the day as his black fur sticks out like a sore thumb and he also can't really sleep anyways sometimes.. as his nightmares sometimes gets to him.

If he doesn't have anything to do, he'll be pacing around in his office, wanting something to do, someone to talk to or listen to... but he's not about to go bother someone as his colleagues might be busy. Definitely won't go talk to Sonic as he's annoying.

He wears shades!! Mostly because the sun hurts his alien like eyes sometimes on some days where he pulled all nighters and hasn't seen the light of day.

He definitely has some routine going on as he has too stick to it, he's always so strict on himself because if he isn't, they would only end up thinking to much about their past and they're not about to deal with that.

They look great for their age, it only makes sense though as part of his life was in a tube, grown and raised in space.

After crashing into earth after escaping the A.R.K and leaving Maria behind [against his own will], it traveled the world for a bit, for Maria, for it... for itself as it was curious about the world... but eventually, G.U.N. caught up to him and, with the lack of fighting skills, eventually caught.

His shoes are bulky!!! Being made in the 1950s, there's no way his shoes look that sleek, and I will continue drawing them bulky.. also, I'm keeping the rings to how they originally looked in the SA2. Instead of straight-up rings on the hands... some rims are on the rings as they show that the ring inhibitors can come off.

Shadow is known to keep to himself most of the time and is close to his friend Omega and Rouge

He has autism, PTSD, and a bit of auditory hallucinations..

The hivemind is a part of the reason it's still there, but he destroyed that long ago! Yea, he did, but he's still needs to get used to the sounds in his head about needing to renew his own species.

Relationship with Sonic •

Its relationship with Sonic is... rocky, he gets that he's the hero and everything, supposed to keep the world safe, but he won't leave it alone!!! Of course he's better at everything than him!! Fighting! Guns!! He can do it all! But racing!! Gah!! He won't shut up about it! And how he won't shut up about how much shorter he is... but seriously, it seems like each time they're in the same room, Sonic's goal is to annoy him or get on his nerves... which works each time not going to lie.

Relationship with Silver •

For Silver, his relationship with him and all that, despite being the one to almost kill Sonic when meeting and killing him, he learned a lot, and he's glad to have shown the bad things and bad intentions Mephiles was planning. The fact that he doesn't even try and do anything suspicious either is refreshing... The fact that he holds no judgment to anyone too is something new and refreshing too, meeting Silver was like... for once someone doesn't judge him and just listens... he also lost a best friend, which was Blaze. He gets it.. doesn't he..? Why does he feel this way..?

Silver Headcanons!!!

Pansexual | He/They

20-23 yrs old!

Wears a jacket for warmth, a binder for comfort, and pants for comfort plus warmth as well! He wears these rings to keep his own magic in check, and so it's much easier for him to not always focus on the target he's holding.

From the future, but a devastating one... no matter what he did, no matter what he said!! The future never changed, and it was always some wasteland. He needs to check up on it every once in a while, though, to make sure the future is still the future and that he should figure out how or what to defeat their enemies with!! They don't know specifically or much details but with their small Itty bitty skills of detective work from reading books, they will be able to help at some point... right???

Shortest of the three and lacking muscle, but there's a reason for that!

They are mostly ranged fighter as they rely on their telekinesis a lot and can not fight close for the life of them.. can't even use a gun without being scared of it!!

They are well versed in the books, and had read a lot of things, when they read instructions, they can get it not instantly but with a few trials and errors they can actually perfect the thing they're learning. Cooking? Yes! Baking? Yes! Sewing?? Few pokes by accident but yes!!!

Though his build is small, he's actually pretty brave, as he grew up in an apocalyptic world, learning to scavenge and fast with food and water... learning about plants and all!

He infact... hates the cold but wants to see winter snow... he got way too used to Crisis City and its extreme heats!!! His body is cold like a fridge, but... luckily, he has friends that can keep him warm!

He lost his best friend and sister, Blaze; her sacrifice to sealing away the evil that was in the future and now wears red earrings to represent her. Though... the Blaze he met that's from another realm... reminds him too much of his old sister... though she seems a lot more strict with herself than anything.

Learned most of his knowledge in books!! No matter how bad the writing may have been, he would read it... and tries his best to keep an open mind to a lot of things... Blaze (from his timeline and world) had even helped him read and learn some things from the books.

They're indeed the fluffiest

Has albinism!

Got their powers from when they're young, telekinesis is actually quiet rare!![I rarely see anyone use this and just IMO!!! Concludes to being it a rare super power..]

Telekinesis/Psycokenesis is actually quiet rare, how he got it was through an attack, an attempt was made at his life by flames and Blaze wasn't there to help, but luckily his powers activated in time, blowing away all the flames that threatened him.. though now he's scared still

Has Audhd!!

Introverted as you can't just shove someone into a group of people even though they haven't even been around anyone but ONE person all their life!!

Though he does have lots of interest and loves listening in on everyone's conversation.

He thinks out loud to himself

PTSD as well...

Trust issues after Mephiles.

Relationship with Sonic •

His relationship with Sonic was rocky at first, and he hates how he was so mean to Sonic! Trying to kill him and all for the right reasons!! He swears it was for the right reasons!! He almost did it, and he was so glad Amy was there to stop him... though it was hard to understand at first, but lucky for his open-mindedness, he was able to get over it. Finding out Sonic was actually the good guy and learning that he was actually the one he read in all the books about the legendary blue hero and not the so-called "iblis trigger." To meet your idol and the hero, and he's so calm and nice and oh— never mind he's fighting with his friends again... well, at least he's so forgiving and forgetting... but Silver sure as hell ain't, he hasn't even forgiven himself yet for being so mean to him at first. But he keeps trying to do this trash talk??? Sometimes Silver gets it...

Most times, not getting it one bit. Though his charm and skills are very admirable, and they want to learn it someday.

Relationship with Shadow •

He's the reason he even got out of killing the blue hero in the first place and sure was cold-hearted and rude at first.. even kicked him in the head, but that was well deserved, honestly. But seeing through the lies and actually the original form that Mephiles had taken!! And to learn he was actually manipulating Silver!? Agh! It's hard to read someone, but... Shadow just looks like he needs a friend and someone there to show him it's okay to open up at least a bit! That's what Sonic showed him, and that's what Blaze did too!

Silver can't help but look up to Shadow sometimes though, admiring him and his work and how well organized he is! Better than Silvers chaotic schedule that they try to keep too!! But learning that Shadow had a friend and lost them ... Silver can't help but feel closer to him in some way after learning such detail.

v The Triple Threat v

Scourge Headcanons!!

24-26! He/Him

Bisexual

He's the shortest of the three cause, well, he's a hedgehog! He's insecure bout that, but not as much as you think. He is also a big-time flirt and puts up a big tough guy front. Has commitment issues and also hates really keeping up with any friends, especially after how many times he been fucked over.

But that didn't really seem to stop him getting to more other buddies, Venice and Terios, who's actually not as bad as the rest and actually have been on the same level as him

Terios is intimidating and strong, sure, but he Scourge can never get that guy to get angry at him and it's fair, guy seems like he's been through a lot.

Venice just so happens to come from some future, but he said he was sent back to save the past... but surprisingly, the guy just didn't want to and joined Scourge's ruling.

So his new friends are really okay to say the least, they can care less about others as much as him but no matter what Scourge is still some type of Sonic, so of course he has some respect for his two buddies...

Pathetic really as he can't get over his ex Fiona, and everytime he complains about it Venice is there to slap that outta him, he's not about to go through another pathetic crying session.

Scourge wears all this outrageous stuff because of how he has very much a identity crisis every other week, trying to separate himself and his own looks from Sonic, trying to remove the title of "evil sonic" off of him, gets mad each time he's even referred to the name as he screams out "IT'S SCOURGE!!!" Hating how he's always compared to Sonic as well as he's not at all like him!!

His quills are much shorter but well kept, despite the punkish look to him, he's a lot more cleaner than Sonic himself, as he also likes to plan ahead of time too, but can't really read people well like Sonic though..

Has a dead dad

Ain't as built like Sonic

Just as chaotic, if not worse, and evil at that, who cares about who gets hurt??

Other than his two pals.. don't hurt his two pals.

Venice the mink

21-24 | He/him

Unlabeled.

Despite the looks of it, he's not at all well put together, screaming and yelling at everyone who gets him pissed off, and even dares to make fun of his interests, very closed off as he's always pushing away everyone from him.

Note; as surprising it is, Scourge and Venice are still buddies, though, as their goals in life are really just the same.

Unlike Silver, he doesn't have that pretty privilege that the white hedgehog has, as he always thinks his scar is awful, tanking his insecurities more and how much he hates his looks.. so to combat this, he built his own body to make up the scar he's so insecure about, wrapping what he could in bandages.

He hates seeing Silver and hates how he acts as he sees too much of his younger self in him. He also hates how open they are.

Very much has inner homophobia of himself and has VERY FRAGILE masculinity

Venice would rather get shot in the head before admitting to himself for liking anyone, as he has his feelings locked away deep inside himself so even the smallest fuzziness he feels he would immediately try and push the person away or just be meaner. Self-destruction if you will.

Despite this Terios and Scourge stick by, it's not like they both heard worse and by this point they're starting to learn that Venice's aggressive behavior is also becoming a bit more like aggressive love..

Says lots of death threats to both Scourge and Terios but he can't actually kill Terios, and Scourge, he's why he's okay with being friends with at least a few people.

He hates the other for teasing him so much but it's not like he makes fun of the hedgehog back..

Keeps Scourge alive because Scourge is his kill, no one else's, despite how gay that might sound they're only just friends with benefits and rarely go at it anyways.

His relationship with Terios, he's also somehow less hostile towards the porcupine, but that's because of the power the guy has, and what he's capable of doing.

Terios the porcupine

40 to 50 yrs old

He/him Unlabled.

He's the tallest of the three and is the strongest, waken up too many times and also been resurrected to many times for his own good.

Doesn't like getting into fights much and rather avoid everyone at all costs, but because of Venice and Scourge freeing the guy from his prison, he's tolerant of those two, and ONLY those two.

Full of anarchy baryl, but is weak to the chaos energy from mobius...

He very much has a dad bod and he also just stays out of trouble for the most part because he rather be left alone in nature where no one's there to bug him and actually hurt him... mostly passive and he's also originally a porcupine that was swept off the streets long ago.

A science expirement gone wrong, and left alive for as long as they can... Lucky them, Terios got out, and the island blew. .. well not lucky for them nevermind.

They all said it was for the greater good.. science...

Terios hates technology... not because of his age and non understanding of it...

It's because of how much it terrifies him and actually what the thing is capable of, he's not about to go back and listen to all the humming and buzzing of machines.

Terios sneezes like a dad would, loud and noisy

He rather avoid everyone and everything, not really liking technology or even the city in general.

Has multiple bullet wound scars, but the fur has overgrown them.. but if you touch the body sure can feel them.

He was originally a normal porcupine actually, from the earth instead of space

Not many things can hurt or kill him like his counterpart... he actually died multiple times before but brought back alive each time.

The Triple Threat has a lot more headcanons, but I realize how big this post is getting lol

[chrysalis-the-butterfly]

Blaire Hopburn: My Favourite Character From My Least Favourite Piece of Media

So there's this webcomic called Lease Bound. It's set in Australia in 2017, and it follows Jaden and Riley, two lesbians forced to share an apartment after a mix-up with their leases (hence the title).

It was promoted as a lesbian love story, but it soon became pretty notorious for transphobia.

Jaden works as a bouncer for a female-only lesbian bar, and in Chapter 3, she refuses to let in three trans women, who don't take it well. The webcomic was heavily criticised for the way the trans women were drawn and how they behaved.

Years later, Lease Bound is still being updated regularly - in fact, Chapter 11 introduced a load of trans men and enby characters.

I've been following the updates for a while. The webcomic expresses a lot of views that I do not agree with - namely, that trans women are dangerous perverted men, and that trans men and enbies are either attention-seeking straight women or queer women too scared to question the "trans ideology cult".

And yet I keep coming back. It's partly out of morbid curiosity, to see what on Earth is going to happen next. But I think it's also because of one character I actually quite like.

Blaire Hopburn.

Blaire is Riley's bisexual girlfriend. She works at the same shop as Riley, in a slightly more senior position. She's also studying cosmetology at university and is part of its LGBTQIA+ club.

In a comic that's been so heavily criticised (and rightly so), what makes Blaire so appealing to me?

It's partly because of her personality. The Cast Page describes her as "a passionate, bubbly woman, who always strives to do what she believes is right… Even if not everyone else agrees." I generally like characters with those traits. I enjoy watching people who try to be good and make an effort to help others, but don't always do it in the best way.

And another reason I like Blaire is because I read her as autistic.

Blaire Hopburn: Accidentally Autistic?

Quite a few of Blaire's personality traits are things that I, as an autistic person, relate to a lot.

The author has described Blaire as, "So good at picking up when someone is upset, or not looking after themselves, so bad at reading the room regarding how to act." That could resonate with any autistic people who are high on empathy but low on social skills. You feel other people's pain, you want to help them, but you're not sure how. And what you try seems to make things worse.

This aspect of Blaire is present in Chapter 8, on Pages 2 and 3, when she and Jaden make conversation while erecting a bunk bed:

Blaire: So Jaden, is this your first move out of home? Jaden: I know it's a little later than most people... Blaire: Not judging! My 'rents insisted I stay home until I finish studying. Jaden: Oh nice. What are you studying? Blaire: Cosmetology! I tried early childcare and psychology too, but I couldn't handle that sort of selfless responsibility, haha! Jaden: Oh man, I feel that. My mum's in aged care, and takes care of my Nana now. I could not do what she does for a living, haha. Blaire: Do you think you took longer to move out because you felt guilty leaving your mum with your Nana? Jaden: How many years of psychology did you do...? Blaire: Sorry, that was a total guess! I didn't even last a full year!! Jaden: Could've fooled me, haha.

Thankfully, Jaden is nice enough to let that awkward moment pass, but she could have reacted to Blaire's psychoanalysis in a much worse way.

We also see Blaire being bad at socialising on Chapter 9 Page 17. Riley and Blaire have witnessed Jaden having an argument with her mum, and after her mum leaves, Blaire asks Jaden about it:

Blaire: Did you want to talk about what happened with your mum, Jaden? Riley: BLAIRE...! Jaden: Hey, it's okay. I have been a bit of a downer... Sorry. Riley: No, you don't have to apologise! Blaire: Yeah, it just sounded pretty upsetting. Jaden: You could say that, haha...

That feels very much like something a person would do when they sense something is wrong and zero in on one way of dealing with it. "Come on, let's talk about our feelings! A problem shared is a problem halved, right? Right?"

There's even a point in Chapter 8 where Blaire muses, "Sometimes it feels like Muddles [Riley's pet cat] is able to comfort Riley in ways that I just can't..." Can you imagine how galling it must feel, knowing that a pet, a creature that can't even speak English, is better at helping your girlfriend than you are?

Ouch.

In addition, Blaire's desire to learn about trans topics and be a good trans ally reads a lot like a special interest to me.

Especially the fact that she randomly brings up trans people in conversation, seemingly apropos nothing at all:

Blaire: Sorry I ditched you, babe. Auntie's keen for me to learn stock ordering. Riley: As long as you don't forget about me when you're a fully fledged store manager. Blaire: Never! So how'd the bunk end up treating you? Riley: Big upgrade from being on the floor. Blaire: And did Mudz approve? Riley: She was up there with me by morning. Blaire: Damn, that is good! Do you think Jaden could be trans?

That conversation with Riley had nothing to do with trans stuff, so Blaire's question is a bolt from the blue. I suspect the thought of Jaden being trans had been playing on Blaire's mind all day, and she was eager to grab the first chance to discuss it with someone.

She does something similar in a reply to an Anon question from when the author still had Tumblr:

Anon: Compared to others of her demographic, I gotta give Blaire props for dating a butch gal and treating her well. Blaire: Of course! Butches deserve nothing but love! And that goes DOUBLE for trans women!

Again, that Anon didn't mention trans people at all, but Blaire still brought them up. She was just itching to infodump about trans rights, I just know it.

But Blaire's connection to trans stuff leads to the issues I have with the way she's being written.

Blaire Hopburn: Pretty Problematic?

I really don't like how Blaire is currently being utilised in the story. Mainly because she's made out to be kind-of an idiot. She doesn't notice when she's making her girlfriend feel uncomfortable. And she's quite bad at picking up on social cues more generally.

This is demonstrated in Chapter 11 on Pages 31 and 32. Blaire is conversing with Violet, Jaden's coworker, about Violet's daughter Faith. The view Blaire expresses is the strawman argument often used against trans people and their allies - the supposition that we believe that not conforming to your expected gender norms means you must be trans.

Violet: Oh, and thanks for being patient with Faith. I know she's a bit of a handful! Blaire: It's like you said: they're just very passionate. Just not about dresses and skirts, huh?

Violet's response is interesting, as is Blaire's train of thought after the exchange:

Violet: NOPE! And I couldn't be happier! It makes buying HER clothes so much simpler! I hope SHE will steer clear of razors and makeup in HER teen years too, haha! Anyway, I best be getting my DAUGHTER to bed. See you at Ballroom Night! VROOM! Blaire: ... Blaire: (thinking) Dang it... It looks like Violet needs more help than I first thought... The sooner I get these [leaflets] to her the more time little Faith will have to choose what kind of body they want as an adult...!

Blaire didn't realise that Violet was emphasising the gendered ways to describe Faith because Violet already knows about trans stuff and rejects it. Instead, she just assumed Violet was ignorant and needed some educational leaflets.

(And Blaire also didn't notice the insult hidden in Violet's words. Blaire clearly shaves and wears makeup, so Violet was basically saying she hopes Faith doesn't turn out like Blaire. But Blaire has no reaction to that.)

Blaire is clearly not the best at detecting what people are implying. But that's being written in an exaggerated way, to satirise belief in "trans ideology" as stupid and in denial of reality.

It can almost feel as if Blaire is being portrayed as bad because of her autistic traits.

The author has addressed this in a comment on one of the bonus comic pages that came out after Chapter 11:

Important to keep in mind that none of the characters are written to be autistic. So Blaire isn’t being made into a villain or singled out for being autistic. In fact, a lot of her "social missteps" are a positive side to her character. Like she's pushy about gender nonsense, but she's also pushy when it comes to making sure her friends take care of themselves (making sure Jaden was getting her share of pancakes, pointing it out fully). She pushes because she cares. It has both positive and negative outcomes.

The trouble is, just because it wasn't the author's intention doesn't mean that's not how it looks. I know I'm not the only one who sees Blaire as autistic-coded.

And when Blaire's difficulties with social interaction are being played up in conversations about trans people, she isn't being written as a character. She's being used as a tool to poke fun at "the trans cult".

That's what annoys me about her portrayal. She isn't allowed to just be a character in a story - a nice, well-meaning but inexperienced girlfriend who happens to take an interest in trans rights. She has to be an extreme strawman of a trans ally, to push the author's anti-trans agenda.

Blaire Hopburn: Vicious Villain?

One of the webcomic's extra features is an "Actor AU", which includes this interview with Blaire's "actress":

Interviewer: Your character is quite controversial isn't she? Lots of people want her killed off and others are holding out hope for some sort of redemption. Which camp are you in, haha? Blaire's Actress: Neither. Interviewer: Oh...? Blaire's Actress: I actually like evil female characters. There's all these memes about deranged women, malicious women, heartless women... But when one does come along they want her removed or fundamentally changed before she's even spread her wings. Interviewer: Do you think fan opinion might change once Blaire ... takes flight? Blaire's Actress: I hope so. Realistically, both extreme camps will probably end up disappointed. But there's plenty of other great stuff to watch for. Will just have to burn the "Blaire bridge" when we come to it.

The funny thing is that the fans who comment on Lease Bound act as though Blaire is already a horrible person, but ... she really isn't?

At her worst, she's so focused on being a good trans ally that she neglects to check in with how others feel. But that's hardly "deranged" or "malicious" or "heartless", is it? Unless you already believe that supporting "trans ideology" makes you at least one of those things.

The closest thing I see to Blaire being villainous is in the first of the "When Riley Met Brick" bonus pages.

Blaire: Exploring your femininity in a non-traumatic way might help make things clearer too. Riley: O-okay. Blaire: Why don't we go dress shopping later this week, then? Riley: U-uh... I'm not really... They never feel good. Blaire: Cute plus-size options have come a long way in the last few years. It won't be frumpy like the stuff from your old congregation, I promise! Riley: O-okay... *** Blaire: Well, what do you think? Riley: It's... I feel like I can't breathe... Blaire: Huh? But it's so loose and flow-y... Do you need a bigger size? Riley: N-no, please, get it off. OFF! OFF!! Blaire: Riles! Hey, hey! Don't thrash like that, you'll rip it! Here' I'm untying it, see? Riley: ... Blaire: So, no tie-arounds, zippers or buttons... How about this one? You just pull it straight over your head! Riley: I can't... Please, no more... Blaire: Hmm... I think we need to talk to someone who has a bit more expertise than me, baby...

Blaire is forcing Riley to try on dresses and do something she's really uncomfortable with, until Riley is screaming and thrashing about. That does seem very, very bad. But I wonder if there's more to this than meets the eye.

Riley's backstory hasn't been shown in the webcomic yet, but the author has said that she grew up in a religious cult where she was only allowed to wear dresses, never trousers. Blaire presumably doesn't fully understand how bad Riley's past was, as she assumes the issue is with the style of the dresses Riley has tried so far.

In an extra cast reply (and it's debatable how canon it is), Blaire does seem to grasp that what Riley has gone through was traumatising:

Blaire: Riley's discomfort with femininity is from being forced into it as a kid. That doesn't mean she HATES girly stuff, she just has internalised misogyny to work through at her own pace!

Yes, Blaire is going about things in the wrong way. But ... she kind-of has a point? I certainly wouldn't call it "internalised misogyny", but it is trauma, and that needs addressing.

Not wanting to wear dresses isn't a problem, but the reason for it can be. Riley's discomfort is clearly rooted in pretty serious trauma, and she needs to be able to sit down with someone and work through that. Sadly, she's not yet confident enough to open up fully about it.

And even if she could, Blaire isn't the right person to do this with. Blaire did study psychology briefly at university, but she didn't last a full year. Her idea of helping Riley is taking her to see Brick, a non-binary person ... who's training to be a veterinary nurse, not a human therapist. Blaire is nowhere near qualified to give Riley the help she needs.

I don't see this as an evil trans ally preying on a poor little lesbian. I see this as two flawed women talking past each other, trying and failing to understand each other, ill-equipped to cope with each other's issues.

And then the other "villainous Blaire" moment is at the end of "When Riley Met Brick", as Blaire criticises Riley for the way she talks to Brick:

Riley: Maybe I'm just feeling a bit confused because I've never met a trans person befor- Brick: THAT is an assumption rooted in transphobic bias! Trans people aren't a monolith! You can't tell who's trans just by looking at them! Riley: Sorry, I didn't know...! Blaire: You know what they say about assuming babe... Riley: I swear I didn't mean to... Blaire: You need to choose your words with more care. Riley: Right... I'm really sorry...

The dark colours, Blaire's body language and ominous words, the top-down perspective on the scared-looking Riley ... this page is trying to make us see Blaire as in the wrong and Riley as her victim. We're meant to judge her for putting her zealousness for trans acceptance before her concern for her girlfriend's feelings.

That's the last time we've seen Blaire in the webcomic so far, but she's due to reappear in Chapter 13. It seems as though the author is planning to do something big with Blaire - something that will cement her as the villain of Lease Bound. But it hasn't happened yet. And I'm curious to see what it is.

I suspect it's something to do with Blaire being in a more senior position at Riley's workplace, as well as the fact that her aunt works there. There's a risk that Blaire could use her influence with her aunt to force Riley out of a job, after a major disagreement over trans rights or something.

But based on what we've seen so far in the webcomic, I can't picture Blaire doing something like that. She just doesn't seem like the kind of person to do something so extreme.

Basically, it's going to take a lot to convince me that Blaire Hopburn is an irredeemable monster.

TL;DR Lease Bound is massively problematic. The one bright spot for me is Blaire, the nice, eager-to-help, slightly autistic-coded bi lady. Unfortunately, she keeps being turned into a caricature to mock those who support trans rights, and that bothers me.